|Amazing author Margarita Engle|
and I re-connect at the
2014 Pura Belpré ceremony
My own journey with Millo our heroine, began in the summer of 2013 where most of my books begin in the basement of our home in San Miguel de Allende, Mexico. At an old wooden table stained with the colors of past books, next to the washer and dryer, with dozens of crickets offering their opinions all at the same time. During this process I found a small garden snake in the wastebasket next to my desk stuck to the used masking tape. The little guy was thirsty and my son and I nursed the creature back to health then let it go in a nearby field. Much like the snake when you start a book you sort of crawl on your belly through tall grass looking for the right path.
|Early sketch searching for Millo|
As you can see in the early sketches for the book I had to search for Millo. At this point in the process I first lose myself in the text. What's so captivating about Margarita's poetic words is that they literally open doors beckoning me to try new things. Her poetic style gave me the freedom to invent as well as children the chance to do their own dreaming.
It really all begins by sketching, sketching and more sketching to develop the main character and all I can say is that you just know when it feels right. There's a great deal of research to get the facial expressions correct and craft her personality. As an artist I've always embraced the challenge of conveying the emotions of a character. When I designed the Latin music legends stamps for the U.S. Postal Service I needed to infuse the images of Celia Cruz, Tito Puente, Carmen Miranda, Selena and Carlos Gardel with the energy and spirit of their music. Creating portraits that resemble photos has never interested me and I'm more intrigued to find the nuances that make each face like a unique thumbprint. I worked with Margarita and searched books and the Internet for images of Millo and her band of sisters in Cuba.
|Millo Castro Zaldarriaga and Anacaona in 1930's Cuba|
I wanted to do something different with this book so I changed my palette. The more subdued colors and one of the spreads were a tribute to the work of one of my illustration heroes, the self taught Mexican caricaturist and artist Miguel Covarrubias. There are many night scenes in this book as it speaks to the dreaming of Millo. In the plant life of one jungle scene spread you can find echoes of Henri Rousseau. Many influences play into my thinking and dreaming for this book.
The proofs looked solid and I'm dreaming of our books release in 2015.